“It’s gonna take a lotta love” is a group exhibition that
explores ideas about inclusivity, authenticity, and commonality in an age of
anxiety, isolated individualism, and virtually lived experience. The show is on
view from March 7 – May 24, 2015, and is curated by Liza Statton and Terri C.
Smith.
The artists in “It’s gonna take a lotta love” avoid the
detachment and slick seduction of the screen-based technologies that characterize
our attention economy. Yet, rather than critiquing the sensationalist
strategies embedded in the ever-expanding social media and advertising
industries, they pursue modes of art-making that focus on the aesthetic and
conceptual potential of society’s offcuts. These artists also share a type of
tragic-comic vision of contemporary culture. Humor, joy, and melancholy, among
others, mix easily in their work. Such emotional credibility creates a slippage
between empathy and alienation.
Some artists create this slippage by making and re-making
objects using seemingly inconsequential materials. Wayne White paints witty and
sometimes biting phrases on found paintings of pastoral landscapes and rustic
barns. Andy Coolquitt resituates familiar materials such as vinyl records,
lightbulbs, synthetic shag fabric, and books-on-tape into installations that
are inspired by functions and spaces outside of the gallery. His works
articulate a tension between the familiarity of our real lives and the
exclusive domain of the white cube gallery. Whiting Tennis creates drawings,
paintings and sculptures that pit Modernist art’s fascination with pure form
against an intentionally personal mode of a hobbiest aesthetic that wrestles
with ideas of concealment and containment.
Other artists such as Jon Campbell, Stephen Vitiello, and
Jeremy Deller create subtle interventions using everyday language and music.
Deller’s poster “Attention all DJs” takes on the form of a handwritten sign
with tongue-in-cheek instructions for DJs. Jon Campbell’s “four letter word
flags” brightly declare words like “Yeah,” “Home,” and “Want.” By inserting his
word flags between country, state, or corporate flags in a city, Campbell
prompts passerby to ask if the words we all use are worthy of a public format
usually saved for pageantry or branding. Stephen Vitiello’s sound works in
“It’s gonna take a lotta love” appropriate commercial music from well-known
singers. With “Dolly Ascending” Vitiello slows down Dolly Parton singing “Stairway
to Heaven” to the point where it sounds like choral music. In A.L. Steiner +
Robbinschild’s “C.L.U.E. Part I” video two women perform dance infused
movements in backdrops of natural and built environments, connecting color,
action, attitude, and environment in a straightforward way that includes the
audience in their choreographed antics.
Exhibiting Artists: Jon Campbell (Melbourne, Australia),
Andy Coolquitt (Austin/NYC), Jeremy Deller (London), Jessica Mein (NYC), A.L.
Steiner + Robbinschilds (NYC), Whiting Tennis (Seattle), Stephen Vitiello
(Richmond, VA), and Wayne White (LA).
No comments:
Post a Comment